Strategic branding ,social media traction, tier-II and tier-III engagement can give Bollywood its first 2500 crore hit.

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Branding, Strategic social media planning, innovative media use, strategic installation in tier-II and tier-III towns, upscale engagement in metro malls and high traffic zones all contributed to pushing this huge biopic to meteoric heights.

It was only like yesterday that filmmakers talked about and aspired to make 100 crores…not any more…100 crore is passé for many…. The new 100 crore is now Rs 1000 crore. Just like yesterday’s crore is now 100 crore…  the zeroes are showing no signs of fatigue. And dangal crosses the up to now unthinkable 2000 crore mark

Dangal crosses the up to now unthinkable 2000 crore mark

This transformation in the filmdom has been rather fast. Today a newbee like Ayushman Khurana can get you a 100 crores easily at the Box Office Lets flashback to the year 1943 when the Ashok Kumar starrer Kismet, for the first time made a 1 crore earning in the box office and gave India her first all-time blockbuster film. So, what if the Indian Film Industry was born three decades ago in 1913, it was at this time that it had come into maturity. Kismet was followed by many more blockbusters including Mother India (1957), Mughal-e-Azam (1960) and Sholay (1975). Post-liberalization, Hum Aapke Hain Kaun (1994) changed film business dynamics forever to become one of the biggest blockbusters of the modern era.

Ayushman Khurana can get you a 100 crores easily at the Box Office

However, it was Ghajni (2008) starring Aamir Khan that redefined Hindi film business by becoming the first Rs.100 crore Hindi film thus defining its protocols Soon, Salman Khan’s Dabangg 2 breached the 100 crore mark. Since then it has become an inevitable landmark for the A graders of Bollywood. The 100-crore club is no longer exclusive. Now, more than 35 Hindi films are a part of the exclusive 100-crore club. And then came the famous  ‘3 Idiots’  who raised the bar and made a total Worldwide Box office Collection of Rs.325 crore plus!

Ghajni (2008) starring Aamir Khan that redefined Hindi film business by becoming the first Rs.100 crore

The SRK starrer Chennai Express and Hrithik Roshan starrer Krissh 3 were the fastest films to reach the 100 cr mark, in just 4 days in 2013, Aamir Khan has his 3 Idiots in the club followed by Salman starrer Ek Tha Tiger and Ranbir starrer Yeh Jawaani Hai Deewani. Indra Kumar’s adult comedy Grand Masti also made a surprise entry into the club. While Sanjay Leela Bhansali’s Goliyon Ki Rasleela Ram-Leela entered the 100 cr club in 10 days with a collection of Rs. 100.2 cr.

The highest-grossing Hindi films are PK (2014) 735 crore, Dhoom 3 (2013) 542 crore Chennai Express (2013) 422 crore Bajrangi Bhaijaan (2015) 400 crore (till date) 3 Idiots (2009) 395 crore Happy New Year (2014)  383 crore, Kick (2014) 377 crore, Krrish 3 (2013)  374 crore, Bang Bang! (2014) 340 crore Ek Tha Tiger      (2012)   320 crore  Yeh Jawaani Hai Deewani   2013 311 crores.

And Dangal went on to create history by crossing the magic 2000 core mark. Other hits in the top of the 500 plus core mark were: Bahubali, Sanju, PK, Tiger Zinda hai, Bajrangi Bhaijaaan, Padmavaat, Sultan, Dhoom,

The SRK starrer Chennai Express were the fastest films to reach the 100 cr mark

All these thanks to the multiplex culture, more prints, higher tickets and films released on long weekends! From the first multiplex by PVR in 1997 to almost 2050 multiplex screens in India till now in 2015, the multiplexes transformed the film business in India. Though they hardly account with 17% of total 2,000+ screens in India, they contribute almost 70% of a film’s box-office collection. By offering a better film viewing experience, multiplexes have brought the film lovers back to the silver screens.

“Bajrangi Bhaijaan” is the third-highest-grossing Indian film worldwide on ₹970 crore

With Baahubali 2 grossing over  Rs 1,810 crore at the box office in India the whole 100 crore club know seems deserted.

Going by the present trend let’s say by around 2020 or so, even earlier Bollywood could easily hoty 1500- 2000 crore. With international markets like China and Korea etc opening up.

Baahubali 2 grossing over Rs 1,810 crore at the box office in India the whole 100 crore club

The writing on the wall is clear. 100 crores clubs don’t excite anyone anymore. If we combine Indian and overseas Box office collections, we observe that a lot of films have managed to cross Rs.200 cr mark and very soon and so we will certainly soon see lots of films crossing the Rs.500 cr mark at worldwide box office collection.

It’s the big-ticket films of czars like Salman, Aamir, Ranveer Singh SRK, Hrithik and Akshay that are now within sniffing distance of the 2000 crore mark.

So, why not set a new benchmark for Bollywood Blockbusters. Why not think of the unthinkable but not the unattainable. How about a 2000-cr Bollywood Blockbuster which will change the business of Bollywood forever! As of now, it may seem too ambitious to aim for an Rs.2,000 cr club Bollywood Blockbuster, it may happen in the very near future. There are many supporting reasons that may boost up the growth.

“Sanju” is the ninth-highest-grossing Indian film worldwide for ₹586.85 crore

With just a 1,000 prints, 3 Idiots in 2013 managed to cross Rs.200 cr mark solely from Indian Box office. Thus, with 4000 plus prints at the time of release as well as increased ticket rates; we can very well expect a “good film” with similar audience appeal to cross the Rs.500 cr mark at the box office with a successful run of 4 to 5 weeks.

Next reason is that as the Indian Film industry is too obsessed with box office collections. However we hardly ever track audience footfalls. Titanic was watched by approximately 12 cr people, compared to half that number who watched Avatar in theatres. It is estimated that Mughal-E-Azam and Sholay were viewed in theatre by 3-cr plus film lovers at the time when Indian population was just 43 cr and 60 cr respectively which means that almost 5% of the Indian population watched Sholay in theatres. And if we can manage to come close to that number in today’s time that will be great!

Another vital component is the overseas market plays a crucial role for a lot of Bollywood films. Given the current rupee depreciation, the net collection from the overseas market is bound to increase substantially. We already have a Bollywood movie crossing $30mn mark in the overseas market. If we can manage to capture the US, UK, China and other key overseas markets, then there is a high probability of crossing $100mn+ mark from the overseas market.So, what we need now is a talented and committed team who, besides getting the maths right, can also strike the right balance between the art and science of film making to deliver a mega-blockbuster of all times. Though there can’t be any magic formula for success in Bollywood, the following recipes are a must to deliver a 2,000-cr Blockbuster:

An Indian story dubbed in English with global appeal with an international release on the same day could be recipe numero uno. The story was, is and will remain the most crucial element for the global success of any film. The storyline has to have the perfect mix of emotions that appeal to Indian heartland and at the same time manages to strike the right chord with global audiences. A superstar Indian cast: can play a super role in the success of the movie. A superstar is a must for a super-film of this size and scale. Salman Khan, Aamir Khan or Shah Rukh Khan, Ranveer, Akshay may provide the much-needed star power to this venture. The film will also need stellar supporting cast with the likes of Amitabh Bachchan, Deepika, Boman, Anil Kapoor, etc. may also help to reach out to wider audiences.

“PK” is the sixth-highest-grossing Indian film in overseas markets by overseas gross for 854 crores INR

A vital cameo in the film by a Rajnikant or a Kamal Hassan can provide the necessary boost, given their huge overseas fan base. Another formula can be the presence of an international star: An all-Indian star cast will not be able to break into the lucrative overseas market. Also different versions for different audiences: The film should be written and shot in a way that we can have two versions of it. One version for Indian audiences with the usual song and dance routine and another version for the international audiences without compromising on the essence of the film with minimal or none of the Bollywood routines.

“Padmaavat” is the 10th-highest-grossing Indian film worldwide for 585 crores INR

Add strong branding, publicity, and strategic social media campaign by professional digital marketing agencies financial muscle to it, viola Bollywood will have many a perfect 2000 crore plus blockbuster ready to serve on a platter to the global audience.

Planned and strategic marketing and branding are now key to the success of any Bollywood film. Films are brands with the shortest shelf lives but with huge lifetime equity. They live from Friday to Friday, and yet with hardcore branding, a social media strategy that involves huge engagement, leading to traction can easily put the first 2000 crore Bollywood film on the international marquee sooner than we imagine.